I have been working with Beavan Flanagan to develop a new vocal piece for me titled, no sweeter sound than my own name. Beavan and I are exploring the use of an audio score and along the way I have been writing a few reflections on the experience of ‘reading’ the score. A couple of weeks ago Beavan Flanagan and I met up again to try out an updated audio-score. What follows are my reflections on practicing the original audio-score and reading the updated audio-score. My reflections are accompanied by commentary from Beavan and a video excerpt of the run-throughs we did during our workshops. Continue reading
I’m very happy to be able to share my recent recording of Charlie Sdraulig’s 2013 vocal solo, few. I’ve written about this piece on a couple of occasions, and for some background on my work with it you can read here and here.
Towards the end of April, Charlie asked me if I would be interested in performing few again at a house concert in London. I agreed and had a chance to go to work directly with Charlie on the realization. With my earlier work on the piece, I was concerned with exploding the ambiguities of the piece, especially with respect to how many ways I could simultaneously articulate elements of intimacy, privacy, inner perception, and the general implications of a sound world that derived from, but almost barely contributed to, an aural environment. At the time, I was trying to completely open up the work – to find my interpretation of the work and the way its intentions resonated with not only my own ways of thinking about sound and performance, but the personal knowledge I had accrued through friendship with Charlie about his own relationship to sound and music. I was trying to find myself through the musical exploration, coming to terms with how I hear and listen to space. Continue reading