‘No sweeter sound than my own name’ – Reflections and Commentary on Reading Audio-Score Drafts

I have been working with Beavan Flanagan to develop a new vocal piece for me titled, no sweeter sound than my own name. Beavan and I are exploring the use of an audio score and along the way I have been writing a few reflections on the experience of ‘reading’ the score. A couple of weeks ago Beavan Flanagan and I met up again to try out an updated audio-score. What follows are my reflections on practicing the original audio-score and reading the updated audio-score. My reflections are accompanied by commentary from Beavan and a video excerpt of the run-throughs we did during our workshops. Continue reading

‘No sweeter sound than my own name’ – Audio-Scores and Breathing

Beavan Flanagan and I recently caught up again to continue exploring and developing his new vocal piece, no sound sweeter than my own name. After our first meeting Beavan constructed a basic, algorithmically generated breathing score. The breathing score is an audio score that provides instructions to the performer for when to breath in and out.

From the mouth of Beavan:

I’ve recently been dealing with issues surrounding notation or perhaps more generally speaking, communication of information. Not wanting Michael to be visually – I’m going to say distracted, but I’m not sure if that’s the right word –  I’m trying to find ways to communicate information or instruction in a purely auditory fashion. This has led me to develop an exercise in controlling Michael’s breathing patterns. Continue reading