Live Performance of Luke Nickel’s ‘[factory]’ at WEISSLICH 3

Earlier in July I gave my second performance of Luke Nickel’s [factory] as part of WEISSLICH 3 at Hundred Years Gallery.

Extending from a tradition of verbal scores using text and language to communicate ideas for making music, Nickel’s [factory] is unique in the way its musical and artistic ideas are communicated. As a part of a larger project, Luke has orally expressed a range of ideas to a group of humans who have agreed to act as mentally encapsulated vessels of specific ideas, committing to memory a one-off communicated ur-speech. Upon creating and storing these memories, each human is considered to be a live, embodied manifestation of the original ideas, rendering them into, what Luke would call, living scores (what I consider to be living repositories which store, maintain, and disseminate living scores).
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hearing hearing – Video Release of Charlie Sdraulig’s ‘few’

I’m very happy to be able to share my recent recording of Charlie Sdraulig’s 2013 vocal solo, few. I’ve written about this piece on a couple of occasions, and for some background on my work with it you can read here and here.

Towards the end of April, Charlie asked me if I would be interested in performing few again at a house concert in London. I agreed and had a chance to go to work directly with Charlie on the realization. With my earlier work on the piece, I was concerned with exploding the ambiguities of the piece, especially with respect to how many ways I could simultaneously articulate elements of intimacy, privacy, inner perception, and the general implications of a sound world that derived from, but almost barely contributed to, an aural environment. At the time, I was trying to completely open up the work – to find my interpretation of the work and the way its intentions resonated with not only my own ways of thinking about sound and performance, but the personal knowledge I had accrued through friendship with Charlie about his own relationship to sound and music. I was trying to find myself through the musical exploration, coming to terms with how I hear and listen to space. Continue reading