Limbs Have Hearts and Eyes Hear – on ‘]HoldingOn[‘

This blog post is about one of the three scores from my trio ||: trouble letting go :|| – ]HoldingOn[ – 4 Echoes: whistle, whisper, gasp, silence composed for violin and objects. The trio is a collection of three pieces that are intended to be simultaneously performed together and was written for the London-based concert series 840 for their ‘New Music for Violin and Objects’ programme. In this blog I reflect on some developments in my work with video scores in the piece ]HoldingOn[. 

video score for ]HoldingOn[ / instructions for reading the score

is my second self-published video score and extends upon some of the previous work I was doing in this is not natural, a trio for French hornist, pianist, and contrabassist.[1]

To briefly recap the work I did in this is not natural: the score for this is not natural is made/composed from edited video-documentation of pre-recorded performances of a choreographed sequence of movements lasting fifteen seconds. Inspired by Bill Viola’s Quintet of the Astonished, large portions of the original performance documentation were extremely slowed down to fill the duration of nine minutes. Frames from the original footage are spread out across larger distances, breaking the illusion of apparent motion, and through a process of interpolation, new frames are generated to fill the space in-between original frames and render the movement/footage smooth. Continue reading